![talaash movie scenes talaash movie scenes](http://2.bp.blogspot.com/-2WPMJxQWz0M/UK_bSc6RDXI/AAAAAAAAFgI/NJXhHda3SNQ/w1200-h630-p-k-no-nu/kareena_in+_talaash.jpg)
The fault, it must be said, is not in the idea of a murder mystery probing and prodding a city’s underbelly ending with an audacious, even fantastical surprise that lends the grub and grit of the story a greater significance. Reema Kagti’s Talaash – a film about a respected policeman investigating a baffling case and thus discovering a cupboard of dirty linen – is a competently made and fairly believable thriller that is ruined beyond repair by an ending that is not so much as completely preposterous as much as it is clumsily directed. Bad things happen in most thrillers and some things are broken beyond repair.
![talaash movie scenes talaash movie scenes](https://i.ytimg.com/vi/O1RA_f7_z7A/maxresdefault.jpg)
Talaash movie scenes full#
Or how at the end of Khamosh, the camera with lurid solemnity gazes up from the level of the corpse at the faces of the film crew staring dumbstruck in amazement in the full glare of the arc lights. One would recall, for instance, the final moments of The Third Man in which Holly Martins waits on the road outside the frozen Austrian cemetery while Anna Schmidt, the woman whom he loves unreasonably and who loved the man whom he killed in cold blood in Vienna’s sewers, walks by coldly, unforgivingly. And unlike what Hitchcock likes to think, a good ending is not necessarily an ingenious twist, an unearned laugh or a sensuous kiss a great thriller can end ideally with a scene in which the mystery lingers on or even a scene of melancholy or ironic reflection at what has happened. In cinema, a thriller is made or marred by how it ends.